“Print Your Own Pollock” is a conceptual art project originally exhibited at Gallery 50 Inc in New Jersey, USA conceived to fit entirely within a suitcase for transport from Buenos Aires. The work appropriates Jackson Pollock’s then most expensive painting by downloading a digital image, dividing it into A4 sheets that reconstruct at original scale, then assembling them with visibly taped seams using cheap office supplies. This deliberate “poor materials” approach transforms an iconic artwork into a portable, reproducible object – a Southern Hemisphere commentary on cultural appropriation and the artificial value systems of the art market. The visible tape and low-quality printing become the artist’s only gesture, reducing Pollock’s explosive physicality to a fragile patchwork while questioning notions of authenticity, accessibility, and artistic labor in the digital age.